In Sir Philip Sidney’s sonnet sequence “Astrophel and Stella,” the names of the characters themselves carry significant thematic weight and are rich in symbolic meaning.
“Astrophel” is derived from two Greek words, “aster” meaning star and “phil” meaning lover. Thus, Astrophel can be translated as “star-lover” or “lover of the star.”
“Stella,” on the other hand, is Latin for star. The name itself represents the unattainable, distant, and celestial beauty that characterizes the object of Astrophel’s love and desire.
Together, the names Astrophel (star-lover) and Stella (star) create a vivid metaphor for the relationship between the poet-lover and his beloved. Stella, like a star, is distant, luminous, and unattainable, while Astrophel is the earthly lover striving to reach her.
The star metaphor runs through the entire sequence, reinforcing the themes of desire, unrequited love, and the tension between earthly and heavenly love. This connection between the earthly lover and celestial beloved reflects the Neo-Platonic idea of striving toward the divine and the eternal, a prominent philosophical thought during the Renaissance.
The names also align with the conventions of courtly love poetry, where the lady is often placed on a pedestal, distant and unattainable, and the lover suffers from his unrequited love for her.
In this way, the very names of the characters encapsulate the central themes of the sonnet sequence and are an essential part of Sidney’s poetic expression. They establish a symbolic framework that resonates throughout the work, reinforcing its exploration of love, longing, and the human condition.